The Smithsonian’s National Museum of Asian Art has confirmed plans to repatriate three significant bronze sculptures to India—“Shiva Nataraja”, “Somaskanda”, and “Saint Sundarar with Paravai.” These sculptures exemplify the exquisite craftsmanship of South Indian bronze artisans, particularly from the Chola and Vijayanagar periods.

The museum's decision comes after extensive provenance research revealed that these works had been illegally removed from their original temple settings in Tamil Nadu. The investigation, conducted in collaboration with the Photo Archives of the French Institute of Pondicherry, established that the bronzes had been photographed in temple environments between 1956 and 1959.

Chase F. Robinson, the museum's director, emphasized the institution's commitment to ethical stewardship of cultural heritage: “The return of these sculptures, the result of rigorous research, shows our commitment to ethical museum practice.” The “Shiva Nataraja,” dating back to around 990 CE, is set to remain in the U.S. on a long-term loan agreement, which will allow the museum to showcase its history while underlining the complexities of ownership and cultural heritage.

The other two bronzes—“Somaskanda”, from the 12th century, and “Saint Sundarar with Paravai”, from the 16th century—will be returned to the Indian government. The “Shiva Nataraja” originally belonged to the Sri Bhava Aushadesvara Temple in Tamil Nadu, where it was documented in 1957. These bronzes were acquired by the museum from various sources, with concerns arising due to the lack of proper documentation that often accompanied their sale.

Historically, these artistic treasures were part of temple processions, but they fell prey to illegal antiquities trafficking in the mid-20th century. The return of these sculptures marks a significant step in addressing the legacy of looted cultural heritage that many institutions are now confronting.

The museum is working closely with the Embassy of India to finalize the arrangements for the transfer of these valuable artifacts, reflecting a broader commitment to transparency and ethical practices in museum collections. This repatriation follows a trend in which institutions around the world are increasingly returning looted or unethically acquired cultural artifacts to their countries of origin.